Improvisation (for organists)

Teachers

Alessio Corti

Professor of Organ - Improvisation (for Organists) - Chamber Music with Organ - Organ as a Secondary Instrument

Born in Milan in 1967, the son of a renowned organist and pedagogue, Alessio Corti received his first music lessons at an early age. In 1985, he obtained his piano diploma "cum laude," followed by diplomas in organ and harpsichord. He pursued further studies with internationally renowned organists and was a student of Lionel Rogg at the Conservatoire Supérieur de Genève for three years. In 1992, he won a "Premier Prix de Virtuosité with distinction" and the special "Otto Barblan" prize. He subsequently won First Prizes at the International Competitions of Geneva (C.I.E.M. 1993), Carouge (Switzerland), and the "Froberger Prize" for early music at the International Competition of Kaltern-SüdTyrol. He is also a laureate of several competitions in Italy, notably in Milan. In 1983, he was appointed titular organist of the Grands-Orgues at the Church of Santa Maria Segreta in Milan, where at the age of 18, he performed the Complete Works of D. Buxtehude, and the following year, the Complete Works of J.S. Bach. From 1991 to 2016, he was also the titular organist at the Chiesa Cristiana Protestante in Milan. In his brilliant career, he is regularly invited to major international organ festivals. Alessio Corti plays a wide repertoire of early, romantic, and contemporary music, and his discography comprises around thirty CDs, including a complete recording of J.S. Bach’s organ works and "The Art of Fugue," monographs of W.A. Mozart and Mendelssohn, and several anthologies on historic organs. For the Fugatto label, he recorded a DVD of J.S. Bach's Six Trio Sonatas on the historic (1738) organ of the Kreuzkirche in Suhl, Thuringia. His recordings and recitals have received attention and favorable reviews from international critics. He is often invited as a jury member for major international competitions and to give masterclasses. From 1994 to 2001, he was a professor of organ in Italy at the Conservatories of Udine and Verona, having placed first in the national competition of the Ministry of Public Education. Alessio Corti has been a Professor of Organ and Improvisation at the Haute école de musique de Genève since 2001, succeeding Lionel Rogg. Many of his students have obtained diplomas and master's degrees (concert, soloist, pedagogy), and some have distinguished themselves in international competitions. Learn more about Alessio Corti.

Vincent Thevenaz

Professor of Organ - Improvisation (for organists) - Introduction to Music Reading - Music Reading - Music Reading and Transposition - Chamber Music with Organ

Vincent Thévenaz is a professor of organ and improvisation at the Haute Ecole de Musique de Genève, and the titular organist and carillon player at the St. Peter's Cathedral in Geneva. He is frequently invited for concerts, competition juries, and masterclasses across Europe, Asia, and the Americas. With a comprehensive education spanning organ, piano, classical and jazz improvisation, musicology, music theory, conducting, singing, French and Russian literature, Vincent Thévenaz continuously seeks to invigorate and diversify the organ world. He pushes the boundaries of genres and enriches his interpretations with a profound knowledge of works and their contexts. His repertoire ranges widely from medieval to contemporary and current music of various origins. Vincent Thévenaz has developed a significant focus on improvisation, exploring the power of the present moment. He practices improvisation in liturgy, concerts, and accompanying silent films. His teaching is enriched by an approach that views written music as an endless source of inspiration and improvisation as a questioning of freedom in interpretation. As a recognized specialist in the harmonium, he owns a collection of high-quality historical instruments and performs them in recitals and ensembles. His expertise has led him to collaborate with musicians such as Leonidas Kavakos and Yuja Wang, and with the Scharoun Ensemble of the Berlin Philharmonic, earning praise from Simon Rattle: "played by you, the harmonium becomes a living and exciting instrument." He combines the organ with numerous instruments of diverse origins, including classical (violin, flute) and unusual (saxophone, Alpine horn, percussion) sounds, and plays cousin instruments such as carillon, cinema organ, Hammond organ, keyboards, and percussion. Vincent Thévenaz is also known for his arrangements, transcribing music of various styles for organ or chamber music formations, and collaborating with orchestras and ensembles. He arranged and directed the annual show "Chantons Noël," creating an original setting for traditional melodies. He also arranged a version for ensemble of Mussorgsky's "Pictures at an Exhibition." In 2009-2010, he performed Bach's complete organ works in 14 concerts, followed by Mendelssohn's organ works in 2017, both receiving great acclaim. His duo "W" with saxophonist Vincent Barras has produced two CDs of original repertoire. He has recorded two critically acclaimed CDs with Sony's Ensemble Gli Angeli Genève (Stephan MacLeod). For the 50th anniversary of Geneva Cathedral's Metzler organ, he produced a CD showcasing the treasures of Geneva composers' organ music. Vincent Thévenaz collaborates with numerous ensembles and conductors (Orchestre de la Suisse Romande, Ensemble Contrechamps, Lausanne Chamber Orchestra, Lausanne Vocal Ensemble, Capella Mediterranea, Leonardo Garcia Alarcon, Valery Gergiev, Heinz Holliger, Michel Corboz, Lawrence Foster, Antonio Pappano, etc.). In 2005, he founded the Orchestre Buissonnier, a young musicians' ensemble, which he regularly conducts. Learn more about Vincent Thévenaz.

Alessio Corti
Vincent Thevenaz

Departments and associated courses

Chamber music with organ

Teachers

Alessio Corti

Professor of Organ - Improvisation (for Organists) - Chamber Music with Organ - Organ as a Secondary Instrument

Born in Milan in 1967, the son of a renowned organist and pedagogue, Alessio Corti received his first music lessons at an early age. In 1985, he obtained his piano diploma "cum laude," followed by diplomas in organ and harpsichord. He pursued further studies with internationally renowned organists and was a student of Lionel Rogg at the Conservatoire Supérieur de Genève for three years. In 1992, he won a "Premier Prix de Virtuosité with distinction" and the special "Otto Barblan" prize. He subsequently won First Prizes at the International Competitions of Geneva (C.I.E.M. 1993), Carouge (Switzerland), and the "Froberger Prize" for early music at the International Competition of Kaltern-SüdTyrol. He is also a laureate of several competitions in Italy, notably in Milan. In 1983, he was appointed titular organist of the Grands-Orgues at the Church of Santa Maria Segreta in Milan, where at the age of 18, he performed the Complete Works of D. Buxtehude, and the following year, the Complete Works of J.S. Bach. From 1991 to 2016, he was also the titular organist at the Chiesa Cristiana Protestante in Milan. In his brilliant career, he is regularly invited to major international organ festivals. Alessio Corti plays a wide repertoire of early, romantic, and contemporary music, and his discography comprises around thirty CDs, including a complete recording of J.S. Bach’s organ works and "The Art of Fugue," monographs of W.A. Mozart and Mendelssohn, and several anthologies on historic organs. For the Fugatto label, he recorded a DVD of J.S. Bach's Six Trio Sonatas on the historic (1738) organ of the Kreuzkirche in Suhl, Thuringia. His recordings and recitals have received attention and favorable reviews from international critics. He is often invited as a jury member for major international competitions and to give masterclasses. From 1994 to 2001, he was a professor of organ in Italy at the Conservatories of Udine and Verona, having placed first in the national competition of the Ministry of Public Education. Alessio Corti has been a Professor of Organ and Improvisation at the Haute école de musique de Genève since 2001, succeeding Lionel Rogg. Many of his students have obtained diplomas and master's degrees (concert, soloist, pedagogy), and some have distinguished themselves in international competitions. Learn more about Alessio Corti.

Vincent Thevenaz

Professor of Organ - Improvisation (for organists) - Introduction to Music Reading - Music Reading - Music Reading and Transposition - Chamber Music with Organ

Vincent Thévenaz is a professor of organ and improvisation at the Haute Ecole de Musique de Genève, and the titular organist and carillon player at the St. Peter's Cathedral in Geneva. He is frequently invited for concerts, competition juries, and masterclasses across Europe, Asia, and the Americas. With a comprehensive education spanning organ, piano, classical and jazz improvisation, musicology, music theory, conducting, singing, French and Russian literature, Vincent Thévenaz continuously seeks to invigorate and diversify the organ world. He pushes the boundaries of genres and enriches his interpretations with a profound knowledge of works and their contexts. His repertoire ranges widely from medieval to contemporary and current music of various origins. Vincent Thévenaz has developed a significant focus on improvisation, exploring the power of the present moment. He practices improvisation in liturgy, concerts, and accompanying silent films. His teaching is enriched by an approach that views written music as an endless source of inspiration and improvisation as a questioning of freedom in interpretation. As a recognized specialist in the harmonium, he owns a collection of high-quality historical instruments and performs them in recitals and ensembles. His expertise has led him to collaborate with musicians such as Leonidas Kavakos and Yuja Wang, and with the Scharoun Ensemble of the Berlin Philharmonic, earning praise from Simon Rattle: "played by you, the harmonium becomes a living and exciting instrument." He combines the organ with numerous instruments of diverse origins, including classical (violin, flute) and unusual (saxophone, Alpine horn, percussion) sounds, and plays cousin instruments such as carillon, cinema organ, Hammond organ, keyboards, and percussion. Vincent Thévenaz is also known for his arrangements, transcribing music of various styles for organ or chamber music formations, and collaborating with orchestras and ensembles. He arranged and directed the annual show "Chantons Noël," creating an original setting for traditional melodies. He also arranged a version for ensemble of Mussorgsky's "Pictures at an Exhibition." In 2009-2010, he performed Bach's complete organ works in 14 concerts, followed by Mendelssohn's organ works in 2017, both receiving great acclaim. His duo "W" with saxophonist Vincent Barras has produced two CDs of original repertoire. He has recorded two critically acclaimed CDs with Sony's Ensemble Gli Angeli Genève (Stephan MacLeod). For the 50th anniversary of Geneva Cathedral's Metzler organ, he produced a CD showcasing the treasures of Geneva composers' organ music. Vincent Thévenaz collaborates with numerous ensembles and conductors (Orchestre de la Suisse Romande, Ensemble Contrechamps, Lausanne Chamber Orchestra, Lausanne Vocal Ensemble, Capella Mediterranea, Leonardo Garcia Alarcon, Valery Gergiev, Heinz Holliger, Michel Corboz, Lawrence Foster, Antonio Pappano, etc.). In 2005, he founded the Orchestre Buissonnier, a young musicians' ensemble, which he regularly conducts. Learn more about Vincent Thévenaz.

Alessio Corti
Vincent Thevenaz

Departments and associated courses

Introduction to reading a score

Departments and associated courses

Reading of scores

Departments and associated courses

Chamber music with woodwind

Teachers

Michel Bellavance

Professor of Flute - Woodwind Chamber Music

Miyazawa artist, the Canadian-Swiss flutist Michel Bellavance has been a soloist in concertos by Nielsen, Ibert, Reinecke, Bernstein, Kabalevski, Liebermann, Mozart, Bach, and Vivaldi with orchestras in Europe and Latin America, including the Gulbenkian Orchestra in Lisbon, the Geneva Chamber Orchestra, the National Symphony Orchestra of Peru, the Mendoza Philharmonic Orchestra, the Bahia State Symphony Orchestra, and the Maracaibo Symphony Orchestra. Michel Bellavance has performed at festivals in Switzerland, the United States, Peru, Brazil, Venezuela, Costa Rica, Chile, Colombia, and Ecuador. He has been featured on radio broadcasts by CBC, Radio Suisse Romande, and National Public Radio, and has given recitals in cities such as Prague, Barcelona, Geneva, Madrid, Basel, London, Zurich, Paris, Montreal, Ottawa, Washington DC, New York (Carnegie Hall), Hong Kong, Tokyo, Beijing, Shanghai, Lima, São Paulo, Brasilia, Buenos Aires, and Bogotá. His recordings for Meridian Records, Atma Classique, Brioso Recordings, and SNE have been praised by international critics and reflect his keen interest in new repertoire and lesser-known works. Alongside his performing career, Michel Bellavance is a flute professor at the HEM – Geneva, and he regularly gives masterclasses in Europe, Asia, and Latin America, notably at the Royal College of Music and the Guildhall School of Music and Drama in London, the Beijing and Shanghai Conservatories, the Hong Kong Academy for Performing Arts, as well as at the International Flute Festivals of San Jose and Lima. Learn more about Michel Bellavance

Antoine Marguier

Professor of Bass Clarinet / Woodwind Chamber Music / Orchestral Excerpts in Section or Group (Winds) / Orchestral Sight-Reading

Graduating in clarinet and chamber music from the CNSM de Lyon, Antoine Marguier began his career under the direction of Claudio Abbado with the Orchestre des Jeunes de l’Union Européenne and the Gustav Mahler Jugend Orchester. At the age of 22, he was appointed as the solo bass clarinet at the Orchestre de la Suisse Romande, a position he held for 16 years. His passion for ensemble music and his desire to pass on his knowledge led him to join the HEM at the age of 27, first as a professor of bass clarinet, then of chamber music and orchestral excerpts, and as a conductor, notably during a tour in China. As part of the school's international collaborations, he has given masterclasses at the Yong Siew Toh Conservatory of Music in Singapore, Seoul National University, the Conservatoire Central de Pékin, and the Jerusalem Academy of Music and Dance. Among his mentors and teachers are renowned conductors such as David Zinman, Roberto Benzi, James Levine, and Kurt Masur. Alongside his international activity as a guest conductor, he has held positions as resident conductor of the Orchestre National de Lyon, music director of the Orchestre du Conservatoire de musique de Genève, and the Seoul International Community Orchestra. In Geneva, where he resides, he is the founder and conductor of the Compagnie du Rossignol and the Orchestre des Nations, through which he has had the opportunity to accompany great musical personalities such as Renée Fleming, Khatia Buniatishvili, Maxim Vengerov, Gautier Capuçon, Alexandra Conunova, Barbara Hannigan, Miloš Karadaglić, and Pretty Yende. Also in Geneva, Antoine is a member of the Club Diplomatique and the Cercle des Entrepreneurs. Learn more about Antoine Marguier.

Michel Bellavance
Antoine marguier

Departments and associated courses

Chamber music with double bass

Teachers

Alberto Bocini

Professor of Double Bass

Alberto Bocini initially studied guitar before dedicating himself to the double bass. He holds a diploma from the Cherubini Conservatory in Florence, obtained in the class of Alfredo Brandi, and further honed his skills under the guidance of Franco Petrachi. He has won numerous competitions, including a first prize at the Valentino Bucchi Competition, a first prize at the Torneo Internazionale della Musica, and a second prize at the Nicanor Zabaleta String Competition. As a soloist, he has performed with many ensembles, including the orchestra of the Teatro Massimo in Palermo, I Solisti Veneti, and the Rome and Lazio Orchestra. In chamber music, he has played with Yuri Bashmet, Vadim Repin, Patrick Gallois, Natalia Gutman, and Eric Ruske. The Newport Music Festival honored him by inviting him eleven times, up until 2004. Alberto Bocini is a member of the Bass Gang, a double bass quartet with an extremely heterogeneous repertoire, which they present with virtuosity and humor. This ensemble has enjoyed great success and has been acclaimed during tours in Japan and Korea. The group recorded a DVD for the independent label NBB Records, a label founded by Alberto Bocini, for which he has recorded extensively. An eclectic and enthusiastic musician, Alberto Bocini does not hesitate to push the boundaries of his repertoire. He recorded for Denon Braevissimo a concerto for double bass and strings by Ennio Morricone and dedicated an album to the music of the English rock band Genesis with a trio named After Genesis. Currently the principal double bassist of the Maggio Musicale Fiorentino under the direction of Zubin Mehta, Alberto Bocini teaches double bass at the Haute école de musique de Genève. Learn more about  Alberto Bocini

Alberto Bocini

Departments and associated courses

Chamber music with harp

Teachers

Sarah Verrue

Professeure de harpe - musique de chambre avec harpe

La harpiste belge Sarah Verrue s'est très tôt fait remarquer en tant que lauréate du Dutch International Harp Competition, du Concours Rotary, de l'UFAM et du Concours Martine Geliot. A 24 ans, elle devient harpiste solo de l'Orchestre de la Tonhalle de Zurich sous la direction de Paavo Järvi. Depuis 2019, elle est harpiste invitée au Lucern Festival Orchestra. Sarah est titulaire d'un Master en musique et musique de chambre du Conservatoire National Supérieur de Paris sous la direction d'Isabelle Moretti. Elle a été membre de l´Académie de l'Opéra national de Munich en 2012 et, un an plus tard, elle suivait les cours de Marie-Pierre Langlamet et jouait à l'Académie Karajan du Berliner Philharmoniker. Sarah s'est produite en tant que chambriste dans des festivals renommés tels que le Festival d'Aix-en Provence, le Festival de Musique Schweslig-Holstein, le Festival de Salzbourg, le MDR Musiksommer, le Festival van Vlaanderen et le Festival de Menton. En tant que soliste, Sarah s'est produite avec l'Orchestre de Chambre de Munich, la Nieuwe Philharmonie d'Utrecht, l'Orchestre de Chambre des Grisons ou l'Orchestre Symphonique de Cannes.   Sarah a souvent travaillé dans le théâtre musical de la Philharmonie du Luxembourg, dans des productions telles que Cendrillon et Wolkenwanderer. A Zürich, elle s´engage dans des écoles spécialisées pour enfants en situation d´un handicap. L'été, elle est coach au Verbier Festival Orchestra où elle enseigne et soutient de jeunes musiciens.

Portrait de la harpiste Sarah Verrue

Departments and associated courses

Orchestral excerpts by section or by part (harp)

Teachers

Sandrine Chatron

Professeure de Harpe - Musique de Chambre avec Harpe - Traits d'Orchestre en section ou en pupitre (Harpe)

Sandrine Chatron est en congé pour l'année académique 2024-25. La classe de harpe sera assurée cette année par Sarah Verrue. Sandrine Chatron est une harpiste curieuse, défricheuse et aux multiples facettes. Elle occupe le poste de harpe solo depuis 2009 au Nederlands Philarmonisch Orkest et enseigné la pratique d’orchestre au Conservatoire d'Amsterdam depuis 2012. Pédagogue enthousiaste, elle anime des training d’audition, participe à des stages, des masterclass et des jurys de concours. Diplômée du Conservatoire National Supérieur de musique de Paris en 1994 en harpe et en musique de chambre, Sandrine Chatron est lauréate de plusieurs concours ( Arles, Charpentier)  de la Fondation Banque Populaire (2000), et de la Fondation Tissier Grandpierre (2019). Elle a étudié avec Gérard Devos, Marie-Claire Jamet, Frédérique Cambreling et Germaine Lorenzini. Elle défend avec ardeur un large répertoire, de la harpe à simple mouvement à la création contemporaine. Elle est membre du Trio Polycordes avec lequel elle crée de nombreuses œuvres et spectacles interdisciplinaires. Elle a été membre de l’Ensemble Calliopée pendant vingt ans. Invitée de nombreux festivals, elle a une prédilection pour le partage en musique de chambre et collabore avec des artistes comme le quatuor Elias, Amaury Coyetaux, Juliette Hurel, Ophélie Gaillard. En tant que soliste, elle s’est produite dans le cadre du festival Présences, au Théâtre des Champs-Elysées, au Musée d’Orsay, à Radio France et au Concertgebouw d'Amsterdam, avec notamment le Nederlands Kamerorkest, La Grande Ecurie-La Chambre du Roy, l’Ensemble Fa. Elle a créé de nombreuses œuvres, dont celles de Pierre Boulez, Krystof Maratka, Philippe Schoeller, Susumu Yoshida, Ricardo Nillni, Frédérick Martin, Luis Naon, Alexandros Markeas, Robin De Raaf, Fabien Cali... Soucieuse de défendre un répertoire inédit ou méconnu, elle a signé plusieurs albums solo remarqués par la critique, pour Naïve- Ambroisie, Aparté : André Caplet et ses contemporains (2005), Le Salon de musique de Marie-Antoinette (2009) et A British Promenade (2017), et a une importante discographie en musique de chambre, avec le Trio Polycordes (2017-2018-2022) et en orchestre. Elle collabore avec l’Ensemble Intercontemporain, l’Ensemble Klangforum-Wien, le Royal Concertgebouw Orchestra, l’Orchestre National de France, les Berliner Philharmoniker et le Lucerne Festival Orchestra, et a joué sous la direction de chefs tels Claudio Abbado, Ricardo Muti, Georges Prêtre, Sir Simon Rattle, Pierre Boulez, Daniele Gatti, Lorenzo Viotti, Marc Albrecht. Elle joue également sur harpe historique avec les orchestres comme Le Concert de la Loge, Le Cercle de l’harmonie, Le Concert spirituel. En savoir plus sur Sandrine Chatron

Sandrine Chatron

Departments and associated courses

Sight-reading (percussion)

Departments and associated courses

Orchestral excerpts by section or by part (percussion)

Teachers

Christophe Delannoy

Professor of Percussion - Sight-Reading (Percussion) - Orchestral Excerpts in Section or Tutti (Percussion)

Christophe Delannoy studied in Paris at the Conservatoire de Bourg-la-Reine, where he obtained a Gold Medal and a First Prize in percussion. He then attended the Conservatoire de Créteil, where he was awarded the First Prize in percussion. Finally, at the Conservatoire de Genève, he trained in acoustic and musical management. He began his career as a percussionist with numerous ensembles, including the Orchestre Philharmonique des Pays de Loire, the Orchestre de Picardie, the Orchestre de Chambre d'Ile de France, and the Orchestre Erwartung d'Ile-de-France. In 1996, he joined the Orchestre de la Suisse Romande as the first percussionist and snare drum soloist. He has participated in numerous musical projects with the International Percussion Center, the Lausanne Chamber Orchestra, and the Orchestra della Svizzera Italiana, among others. Christophe Delannoy teaches percussion at the Haute école de musique de Genève. Learn more about Christophe Delannoy.

Christophe Delannoy

Departments and associated courses

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