Geneva

Sackbutt

Derived from the words for ‘pull’ (sacquer) and push (bouter) in Old French, the sacqueboute, an ancestor of the modern trombone, is first mentioned at the time of the marriage of Charles the Bold, a former Duke of Normandy, in 1468. From the Renaissance to the baroque period, it features at all festivals and cermonies. 

Guided by its professor, Stefan Legée, a renowned soloist and chamber musician, the sackbutt class at the Haute école de musique de Genève (HEM) supports its students as they learn the main repertoires (medieval, Renaissance, baroque and romantic) and understand how they evolved over the centuries. The class prepares its students for a multifaceted career in music, ranging from the interpretation of the soloist repertoire to that of polyphonic and orchestral works, but also to the teaching and passing on of knowledge.

The class puts a particularly extensive collection of instruments at its students’ disposal, including entire consorts of Renaissance sackbutts (including an incredibly rare contrabass sackbutt), classical trombones, and German and French instruments from the Romantic period.

Our students are encouraged to take part in numerous activities arranged by the HEM’s department of music of the past, which regularly invites eminent performers and researchers from all over the world to give Masterclasses and seminars. The goal is to encourage the development of a thoughtful approach, with a view to achieving a deeper contextualization of the practice and repertoire of their instrument.

The sackbut class regularly collaborates with the HEM’s other departments, and with internationally acclaimed Swiss ensembles, on ‘side-by-side’ artistic projects, which constitute real gateways to the professional world. 

Teachers

Stefan Legee

Professor of Sackbut

Stefan Legée began studying trombone in Reims with Amédé Grivillers before entering the Conservatoire National Supérieur de Musique de Paris, where he obtained a first prize in trombone unanimously. He received the Certificate of Aptitude in trombone in 1985 and won third prize at the International Competition in Prague in 1987. A member of the brass quintet Magnifica from 1985 to 1990, he won several international prizes with this ensemble (Baltimore and Narbonne). In 1996, he obtained a certificate of advanced studies in sackbut with high honors at the CNSM of Lyon. From 1985 to 2006, Stefan Legée was the solo trombone of the Orchestre Colonne. He regularly performs with the Concerto Vocale conducted by René Jacobs, Hespérion XXI led by Jordi Savall, Europa Galante under Fabio Biondi, La Fenice by Jean Tubéry, the Sacqueboutiers de Toulouse, and the Concert Brisé led by William Dongois. He is also actively involved in contemporary music, playing with ensembles such as Erwartung (Bernard Desgraupes), Sine Qua Non (Nicolas Brochot), and Ars Nova (Philippe Nahon). In 1996, he premiered Dominique Probst's concerto for trombone and string orchestra, which was dedicated to him. He participated in concerts with Ensemble 2e2m from 2002 to 2005. Numerous recordings document his work. These include Ex Libris with La Fenice on Opus 111, L’âge d’or du cornet with the Concert Brisé and William Dongois on K 617, the Passione di Jesù by Caldara with Fabio Biondi for Virgin Veritas, and a monograph on Philippe Hersant with Ensemble Ader for Musique Française d’Aujourd’hui. Stefan Legée has given numerous masterclasses in sackbut. He teaches trombone and sackbut at the Conservatoire à Rayonnement Régional de Saint Maur and sackbut at the Haute école de musique de Genève. Learn more about Stefan Legée.

Stefan Legee

Departments and associated courses