Geneva

Mixed composition

The mixed composition class at the Haute école de musique de Genève (HEM) fosters an atmosphere of open creativity, attentive to new ideas, where the students’ desire for invention in composition is based on an apprenticeship in the tools for electro-acoustic creativity and the careful aesthetic thought that is an indispensable ingredient.    

Electro-acoustic composition, which emerged in the second half of the 20th century, has blossomed into a multitude of trends, on both the aesthetic and technical fronts. After an experimental period, it has imposed itself as a creative and fruitful alternative - and complement - to traditional written composition. In an entirely natural way, it has found a place at the educational academies, where training of this kind has become a standard option for creative students from all different backgrounds.

Its natural extension, mixed music, which brings electronic music, with all its facets, to the world of traditional instrumental music, is increasingly widespread, and composers have assimilated a diverse range of techniques into their sound palette and creative output.

output. The teaching of mixed composition at the Haute école de musique de Genève (HEM) meets high standards when it comes to quality and the demands placed on students. It covers a very diverse range of practices, ranging from traditional instruments to the most novel systems.

By dint of their independent nature and the way they are constantly changing, electroacoustic and mixed music fashion a bond between traditional writing and the innovations brought by multimedia practices.

Teachers

Stefan Prins

Professor of electroacoustic and mixed composition

Stefan Prins will take up his post in September 2026 Stefan Prins (Belgium, 1979) is a composer and performer whose music often includes and reflects on contemporary technologies and new media, thematizing their relationship with the physical, performing body and the environments it inhabits. After graduating as an engineer, he studied piano, composition and music technology at the Conservatories of Flanders (Antwerp), Brussels and The Hague. In 2017 he obtained a PhD in composition at Harvard University under the guidance of Chaya Czernowin and Hans Tutschku. He received many international awards such as the “Kunstpreis Berlin für Musik”, “Kranichsteiner Musikpreis für Komposition” or the “ISCM Young Composers Award”. His music is performed worldwide on festivals such as the Donaueschinger Musiktage, Darmstadt Ferienkurse, Wittener Tage für Neue Musik, Eclat, Warsaw Autumn, Ultraschall Berlin, Wien Modern, Gaudeamus Festival, Tzlil Meudcan, Impuls Festival, Rainy Days Festival, Transit & Ultima Festival. He has collaborated closely with Nadar Ensemble – of which he is artistic co-director, Klangforum Wien, Nikel Ensemble, Ensemble Mosaik, Ensemble Recherche, Ensemble Modern, Trio Accanto, Arditti Quartet, MusikFabrik, Orchestre Philharmonique de Luxembourg & BBC Scottish Symphony Orchestra, and soloists such as Yaron Deutsch, Stephane Ginsburgh, Rei Nakamura, Florentin Ginot, Severine Ballon & Ning Yu. His music has been released on the labels Sub Rosa, Kairos, Wergo and Neos. Prins also performs regularly in the improvised music scene (electronics), amongst others with Yaron Deutsch in the Ministry of Bad Decisions. He taught at Academies such as the Darmstadt Summercourses, Impuls Academy or Syntetis Academy, was guest-professor at the Norwegian Academy of Music Oslo & HK Bern and has served as a professor of composition and director of the Hybrid Music Lab at the Hochschule für Musik Dresden from 2020-2026. Stefan Prins Website  

Photo portrait du compositeur Stefan Prins

Departments and associated courses

Events

Témoignages

J’ai choisi la HEM pour la renommée de son équipe pédagogique et l’importance des moyens qu’elle met à la disposition de ses étudiant-e-s dans le domaine de la musique électro-acoustique

Etudiant en Master de composition