Geneva

Harp

The Harp class at the Haute école de musique de Genève (HEM) offers rich and varied training that prepares students for the different facets of the life of a harpist: solo playing, playing with a chamber ensemble, playing with an orchestra, creating projects, transcription and writing, broadcasting and the media. 

Each student’s artistic project is defined and supported during the school classes, and refined on the basis of the experiences offered both in the classroom and outside it. With no compromises on the technical, stylistic and musical level required in order to tackle professional life, the emphasis is placed on accompanying the student with their own musical flourishing. The students are invited to compile a repertoire, but also to improvise, write, and collaborate with their peers. They are encouraged to take part in performances by orchestra academies.

Every year, the harp class proposes a project that is open to the other classes at the HEM, or to other subjects. The class is particularly dynamic in the field of creative output. It also engages with the projects initiated by the school, themed days exploring a composer or set of issues, orchestra sessions, chamber music sessions, etc.

Benefiting from its professors’ international network, our students have appeared at numerous music events, and are given numerous opportunities to take part in the local musical life. The opportunities to play in public are numerous and encouraged; a class performance is scheduled approximately every 6 weeks, with a general class around every 3 weeks.

Facilities and instrument collection

Our students have three rooms dedicated to classes and practice. The HEM makes a full collection of instruments available to them, with concert harps by Lyon & Healy, Salvi, and Camac, including an electro-acoustic Big Blue, and a celtic harp, David, Horngacher, and an Erard with single and double movement. Our students can thus prepare for all types of competitions, by having access to the harps played in different countries. They can also experiment with music that involves electronics, with a Loop pedal and effects. They discover historically informed practice, with suitable instruments, and can play centuries-old harps in the department of music of the past.

Examples of projects implemented

2022-23 : A Swiss production of ‘The Forest of Gargilesse’ by Ton That Tiêt for 7 harps

2021-22:

  • project ‘R’ design and implementation of pieces for harp and electronics written by students in the composition department
  • ‘Debussy’s Sonata and its contemporary resonances’, in the format of a trio - flute, viola and harp.

Teachers

Sarah Verrue

Professeure of harp - chamber music with harp

Belgian harpist Sarah Verrue made a name for herself early on as a prize winner at the Dutch International Harp Competition, the Rotary Competition, the UFAM and the Martine Geliot Competition. At the age of 24, she became principal harpist of the Zurich Tonhalle Orchestra under the baton of Paavo Järvi. Since 2019, she has been guest harpist with the Lucerne Festival Orchestra. Sarah holds a Master's degree in music and chamber music from the Conservatoire National Supérieur de Paris under the direction of Isabelle Moretti. She was a member of the Munich National Opera Academy in 2012 and, a year later, she took classes with Marie-Pierre Langlamet and played at the Karajan Academy of the Berliner Philharmoniker. Sarah has performed as a chamber musician at renowned festivals such as the Festival d'Aix-en-Provence, the Schleswig-Holstein Music Festival, the Salzburg Festival, the MDR Musiksommer, the Festival van Vlaanderen and the Festival de Menton. As a soloist, Sarah has performed with the Munich Chamber Orchestra, the Nieuwe Philharmonie Utrecht, the Graubünden Chamber Orchestra and the Cannes Symphony Orchestra. Sarah has often worked in musical theatre at the Philharmonie du Luxembourg, in productions such as Cendrillon and Wolkenwanderer. In Zurich, she is involved in specialised schools for children with disabilities. In the summer, she is a coach at the Verbier Festival Orchestra, where she teaches and supports young musicians.

Portrait de la harpiste Sarah Verrue

Departments and associated courses