The music and movement department at the Haute école de musique de Genève (HEM) offers innovative multi-disciplinary training based on the method developed by the Genevan musician and pedagogue Emile Jaques-Dalcroze.

Internationally renowned in the field of pedagogy, the Jaques-Dalcroze method provides the ability to acquire essential skills and prepare for a diverse range of careers in music thanks to the complete offer of classes: lessons in rhythm, improvisation, technique and creativity of movement, piano, applied pedagogy, theory, creativity workshops, etc.

The department's strengths

An international reach

Taught in the majority of European countries, and in America, Asia and Australia, the Jacques-Dalcroze method enjoys an international reach that has been at the source of countless projects and collaborations, but also of human interactions that form the building blocks of a future professional network.

The HEM’s Music and movement course opens the door to international careers in Europe, the United States and Asia.  All over the world, Jaques-Dalcroze Eurhythmics contributes to developing skills and creating synergies between the arts and the generations.

International congresses, workshops and conferences, numerous events and meetings are organised in the world around this active form of pedagogy, which generates a real buzz around itself.

A special environment

The HEM’s music and movement department delivers its teaching in close association with the Institut Jaques-Dalcroze de Genève, with whom it shares the same premises in the vibrant district of Les Eaux-vives, in the heart of the city. The working environment incorporates spacious studios, places suited to discussions and interaction, and free access to the workrooms.

Thanks to this partnership, the music and movement department benefits from a high-quality environment that facilitates the inclusion of pedagogical tools in creativity: from the first year of the Bachelor’s degree, the students are encouraged to immerse themselves in pedagogy through practical internships that prepare them for teaching young people, and enabling them to establish their first ties with people actively involved in teaching.

A culture of cross-fertilization

The variety of the HEM’s areas of activity (from historical music to contemporary works and the development of new technologies, etc.) means that there are numerous opportunities for the department’s students. The multidisciplinary nature of the department makes it a crossroads where numerous art forms meet and interact. 

Artistic collaborations in the city 

Thanks to the numerous projects that the HEM proposes throughout their courses, our students have the chance to collaborate with professors and artists from all manner of fields, and to get into the fields of modern dance, theatre, art therapy and education sciences.

The department therefore operates to the beat of its city and its time, by creating ties with numerous cultural partners in Geneva.   Thus, the collaboration with the association pour la danse contemporaine (ADC) has resulted in joint artistic projects, outings to shows and performances, and permanent access to the association’s document centre.

Our students also benefit from the presence of tutors on artistic projects stemming from various multidisciplinary sites such as the Galpon Theatre, but also from the expertise of producers invited to themed seminars.

There are ‘Freaky Friday’ improvisation nights, in collaboration with the Genevan improvisation league, des Masterclasses given by artists of the contemporary stage and off-campus artistic projects at various museums in the region (Musée d’ethnographie de Genève, Musées d’Art et d’Histoire, Musée de l’Ariana, etc.) add to this rich tapestry of events.

Research

The study programmes based on the philosophy of the educator Emile Jaques-Dalcroze open up fields of research that are bursting with opportunity for our students, whether it be the influence of rhythm on the development of musicality, perceptions and new technologies, or support for young children with learning difficulties or indeed people with Parkinson’s disease.

Professional openings

Thanks to its multiple uses, the training provided by the music and movement department at the HEM enables its students to quickly find openings in the jobs market.  Our students are offered internships lasting a term when they start doing their Master’s degree, so that they can familiarise themselves with teaching a range of different audiences. We should emphasize that the Bachelor of Arts in Music and Movement is a professional qualification, conferring the right to teach eurhythmics at a state school (primary and infant) or at a nursery.

As for the Jaques-Dalcroze Eurhythmics strand of the Master of Arts in Musical Pedagogy, it enables students to teach at conservatoires and music schools and diverse social structures, for varied audiences ranging from very young children to the elderly.

Our students’ acquisition of a very rich artistic baggage also enables them to conceive of and carry out their own multidisciplinary projects and productions. Many of them invest in the performing arts sector, where their skills as experts on the links between music and movement, and musical improvisation, are highly sought-after.

Potential continuation of studies

A global centre of rhythm, the Institut Jaques-Dalcroze de Genève is the only establishment in the Jaques-Dalcroze galaxy authorised to bestow the higher diploma that is indispensable in order to be able to train future professional teachers in the Jaques-Dalcroze method in the fundamental subjects of rhythm, music theory and improvisation. This course, lasting approximately two years, constitutes the highest qualification in the Jaques-Dalcroze method.

To access this training, you must have a Master’s degree in Musical Pedagogy, in the area of “Jaques-Dalcroze Eurhythmics”, or a qualification deemed to be equivalent.

The department in videos

Studies

Teachers of major disciplines

Sarah Branchi-Cascone

Professor of piano Jaques-Dalcroze

Born in Aix-en-Provence, Sarah Branchi Cascone began her musical studies there, later completing them at the CRR of Montpellier. After obtaining Diplomas in Musical Studies in piano and chamber music, she joined the Cefedem-Sud (now IESM) at a very young age, where she earned a piano teaching diploma. Her musical journey then led her to the Haute école de musique de Genève (HEM) to continue her studies in the class of Dominique Weber. There, she obtained a teaching diploma and later a concert diploma. Passionate about pedagogy and teaching from a young age, Sarah Branchi Cascone has been teaching piano since 2003 at the Institut Jaques-Dalcroze and within the Master’s in Pedagogy program, Jaques-Dalcroze orientation, at HEM. She has performed as a soloist and in various chamber music formations in Switzerland, France, and Argentina. In 2008, she founded the Tashko-Branchi duo with pianist Olta Tashko. The two pianists regularly perform recitals in France and Switzerland. In 2017, they participated in the complete concertos of J.S. Bach for 2, 3, and 4 pianos with the Terpsycordes Quartet. In 2019, they premiered the show "Vagabond et Visionnaire" by S. Arnauld, based on poems by F. Nietzsche.

Pablo Ernesto Cernik

Professor of Keyboard Harmony and Jaques-Dalcroze Writing - Instrumental Improvisation - Physical and Mental Preparation: Bodily Approach to Music through Jaques-Dalcroze Eurhythmics - Jaques-Dalcroze Eurhythmics - Jaques-Dalcroze Solfège

Pablo Cernik is currently employed as an adjunct professor, teaching in the Bachelor’s degree, Master’s degree, and CAS programs in the Music and Movement Department at the Haute école de musique de Genève (HEM). He collaborates with the department's administration on tasks related to the visibility of the programs and also with the Institut Jaques-Dalcroze in coordinating the Diplôme Supérieur. He is the director of the Dalcroze Certificate programs in Italy, Spain, Chile, and Argentina. He has significantly contributed to the dissemination of the method by conducting workshops and conferences in various regions and countries across Europe, Asia, and Latin America. As an opera, chamber music, and dance pianist, his presentations have placed particular emphasis on multidisciplinary creation. He is currently pursuing a PhD in Arts at the Universidad Nacional de las Artes (UNA) in Buenos Aires. He is a member of the Jaques-Dalcroze College and the central committee of the International Federation of Eurhythmics Teachers (FIER). He is also the president of the Dalcroze Association of Argentina.

Tamaé Gennai Deveaud

Professor of Instrumental Improvisation - Jaques-Dalcroze Eurhythmics - Jaques-Dalcroze Solfège

Tamaé Gennai was born in Geneva, where she began her musical training at the Institut Jaques-Dalcroze from a young age. In 2007, she graduated with a Master of Arts (Jaques-Dalcroze Pedagogy, receiving the Conseil d’Etat Prize and the Institut Jaques-Dalcroze Prize). She continued her studies in solfège and counterpoint at the Haute école de musique de Genève, obtaining her advanced solfège certificate in 2008. She furthered her piano and pedagogical training with Robert Kaddouch in Paris. Tamaé teaches music and movement to diverse audiences (parents-children, adolescents, seniors, the psychiatric department of HUG, etc.), and in 2019, she received the Diplôme Supérieur in the Jaques-Dalcroze method, allowing her to teach the method to professionals. On this occasion, she was awarded the Aletheia Foundation Prize for her group choreography. She teaches eurhythmics, solfège, pedagogy, improvisation, and performance creation at the Haute Ecole des Arts de Berne. Since 2021, she has also been teaching regularly in Bucharest. In addition to her career as a pedagogue and teacher, Tamaé performs as a musician and singer on stages in Switzerland, France, and Sweden with singer and guitarist Jackson Wahengo (traditional music of Namibia) and writes and directs numerous multidisciplinary shows (music, dance, theater) with the Compagnie TaMiErO. In 2019, she was awarded a writing grant from the Swiss Society of Authors for her children's show "L’enfant do," which was premiered at the Petit Théâtre de Lausanne. Dedicated to linking her stage and pedagogical skills to serve audiences with limited access to the arts, she has created several performance projects in the slums of Kolkata and Mumbai, in Geneva's Villas Yoyo, and within the creativity workshops of the IJD. Learn more about Tamaé Gennai Deveaud.

Stephane Ginsburgh

Professor of Jaques-Dalcroze Piano

Stéphane Ginsburgh has performed as a soloist and chamber musician at numerous international festivals such as Ars Musica, Quincena Musical, ZKM Imatronic, Agora Ircam, Bach Academie Brugge, Ultima Oslo, Darmstadt Ferienkurse, Gaida (Vilnius), Warsaw Autumn, Musica Strasbourg, Klara Festival, and the Accademia Chigiana in Siena. A tireless explorer of the repertoire and an adventurer in new combinations involving voice, percussion, performance, or electronics, he dedicated himself early on to contemporary music while developing a vast classical repertoire. He regularly performs with the Ictus ensemble and has collaborated with composers such as Frederic Rzewski, Jean-Luc Fafchamps, Stefan Prins, Alec Hall, and Matthew Shlomowitz, premiering their works. He has also worked with choreographers such as Anne Teresa De Keersmaeker. Enthusiastic about immersive performances, Stéphane Ginsburgh has performed the complete Prokofiev sonatas or the last six Beethoven sonatas in a single evening. After earning a Master's degree in music, he studied with Paul Badura-Skoda, Claude Helffer, Jerome Lowenthal, and Vitaly Margulis. He was the artistic director of the Centre Henri Pousseur, a studio for mixed and electronic music based in Liège. He holds a Bachelor's degree in the philosophy of science from the Université Libre de Bruxelles and a PhD in Arts from the Vrije Universiteit Brussel and the Koninklijk Conservatorium Brussel. Stéphane Ginsburgh has recorded about fifteen albums for Sub Rosa, World Edition, Grand Piano (Naxos), and Kairos. His complete recording of Prokofiev's Piano Sonatas, described as a “captivating” and “essential” version (La Libre Belgique), was released by Cypres Records. Learn more about Stéphane Ginsburgh.

Florence Jaccottet

Head of the Music and Movement Department - Professor of Creative Experimentation Workshop - Jaques-Dalcroze Eurhythmics - Movement Technique and Composition - Coordinator of Physical and Mental Preparation

Born in 1989 in Lausanne, Florence Jaccottet began studying Jaques-Dalcroze eurhythmics at a young age at the Conservatory of her hometown. Simultaneously, she studied piano in the class of Helena Maffli, completing her course in 2008 with a Prize of Excellence. Driven by her passion for both musical and physical expression, she pursued the Music and Movement program at the Haute école de musique de Genève, earning a Bachelor of Arts in 2011, awarded the Marguerite Croptier Lange Pedagogy Prize. Two years later, she completed her studies with a Master of Arts in Jaques-Dalcroze Pedagogy, which was recognized with the Jaques-Dalcroze Institute Prize. Florence Jaccottet is currently a scholarship recipient working towards a Diplôme Supérieur, during which she received the Prize for Excellence in Teaching Solfège. Her creation "Entrée en matières," presented in 2017 in a duo with percussionist Michael Chapon, was awarded the Alethéia Foundation Prize. In 2015, Florence Jaccottet was awarded the title of Professor of Jaques-Dalcroze Eurhythmics by the Jaques-Dalcroze Institute. She has been teaching this method to both adults and children in various settings since 2011 and continually deepens her expertise by participating in numerous masterclasses abroad. Since 2015, she has been teaching movement technique, composition, and creation at the Haute école de musique de Genève, and in 2018, she was appointed lecturer in eurhythmics at the institution. Balancing teaching with artistic expression, Florence Jaccottet's activities also revolve around her passion for dance, which she has explored in various forms for many years. Since 2013, she has focused particularly on contemporary dance and improvisation with Professor Emilio Artessero Quesada. Her artistic research centers on expressing rhythm and musicality through movement, creating a unique contemporary dance language. This distinctive approach has led to invitations to present her performances and the techniques she develops for future eurhythmics practitioners in Switzerland and, more recently, internationally, including in Japan and South Korea.

Hélène Nicolet

Professor of Instrumental Improvisation - jaques-Dalcroze Eurhythmics

Hélène Nicolet was born in Geneva, Switzerland, and began her musical journey through Dalcroze Eurhythmics at the Jaques-Dalcroze Institute from a young age. With a jazz musician father and an educator mother, her artistic path has been deeply influenced by improvisation and a corporeal approach. She obtained her teaching license in the Dalcroze method in 2006 (awarded for the best level of license, best adult lesson, and best rhythmic exam). Her commitment to teaching was further solidified when she earned a Master of Music Diploma from the Haute école de musique de Genève. During her stay in New York in 2011, she enhanced her interest in movement by becoming a Certified Movement Analyst at the Laban/Bartenieff Institute of Movement Studies. In 2013, she completed her Advanced Diploma at the Jaques-Dalcroze Institute, the highest title allowing her to fully teach and represent the method (Eurhythmics, Solfege, Improvisation). Alongside her professional training, Hélène Nicolet studied classical piano and received the amateur certificate from the Federation of Music Schools with honors from the jury. She continued her piano study through jazz and classical improvisation. She started playing the cello in her teens and participated in various musical formations (accompanist for opera singers or instrumentalists, baroque trio, jazz-folk duo, and jazz quartet). Currently, she teaches students in the Music and Movement department (Bachelor, Master, and CAS in Dalcroze Eurhythmics). She is frequently invited abroad to teach and present the Jaques-Dalcroze method at various universities and partner centers. Additionally, she works at the Jaques-Dalcroze Institute, where she has been the director since August 2023. Research Projects Proceedings of the Jaques-Dalcroze Institute Congress: https://www.hesge.ch/hem/recherche-developpement/projets-recherche/termine/actes-du-congres-linstitut-jaques-dalcroze Publications Silvia Del Bianco, Sylvie Morgenegg, Hélène Nicolet, Pédagogie, art et science: l’apprentissage par et pour la musique selon la méthode Jaques-Dalcroze, actes du Congrès de l’ijd 2015, Editions Droz et HEM, 2017.https://www.hesge.ch/hem/publications/pedagogie-art-et-science Mary Brice, Ruth Gianadda, Hélène Nicolet, « Racines d’une pratique encore en mouvement », 2019.https://www.dalcroze.ch/wp-content/uploads/2021/12/Racines-dune-pratique-encore-en-mouvement.pdf Mary Brice, Ruth Gianadda, Hélène Nicolet, « Roots of a practice still in movement », 2019.https://www.dalcroze.ch/wp-content/uploads/2021/12/Roots-of-a-practice-still-in-movement.pdf

Stéphane Orlando

Professor of Improvisation Workshops (Coordinator) - Keyboard Harmony and Dalcroze Writing - Instrumental Improvisation

Laureate of the SABAM for Culture Award for contemporary music in 2020, pianist and composer Stéphane Orlando regularly collaborates with various musicians, ensembles, and orchestras. Since 2022, he has become the composer-in-residence at the Orchestre Philharmonique Royal de Liège. Stéphane Orlando draws his inspiration from classical, traditional, and jazz music, as well as from his own practice of piano improvisation. He enjoys composing for a single instrument or chamber music, with or without electronics, as well as for orchestras. Above all, he likes to embed his music in a rich narrative context, with a strong sensitivity to images, words, and movements. Stéphane Orlando teaches instrumental improvisation at the Haute école de musique de Genève (HEM).

Pascale Rochat-Martinet

Professor of Experimental Workshop: Applied Pedagogy - Keyboard Harmony and Dalcroze Writing - Instrumental Improvisation - Improvisation for Movement and Teaching

Holder of the advanced diploma from the Institut Jaques-Dalcroze, Pascale Rochat-Martinet furthered her education with choral conducting studies in Paris, classical singing at the Conservatory of Lausanne, and training for seniors at the Institut Jaques-Dalcroze. She is also involved in the creative group "Aldente," which combines music, theater, and movement. Passionate about pedagogy, she has created numerous rhythmics-solfege courses at the Conservatory of Lausanne, leading her students to certification. Currently, she teaches piano improvisation, rhythmics, and solfege at the Haute école de musique de Genève (HEM) as well as at the Haute école de musique de Lausanne (HEMU). Her teaching is directed towards rhythmicians, future piano teachers, and concert performers. She is regularly invited to teach at international higher education institutions and universities. Always seeking to refresh and renew her teaching methods, she has undertaken jazz piano studies. Improvisation being her specialty, she also practices this discipline in various fields: organ improvisation, accompanying Gospel singers, and creating music for podcasts. Her artistic journey is rich, varied, and eclectic. Pascale Rochat-Martinet loves to share her joy of music with everyone, without distinction.

Daniel Zea

Creative Experimentation Workshop / Electroacoustic Jaques-Dalcroze

Designer, sound artist, and composer, Daniel Zea lives and works in Geneva. His artistic universe revolves around instrumental and electroacoustic music, hybrid performances combining video, sound, gesture capture systems, physical computing, and programming. He regularly collaborates on interdisciplinary projects (visual arts, choreography, performance) and teaches at the Haute École d’Art et Design in Geneva. He is involved in the artistic direction of the ensemble Vortex, working both as a composer and performer of electroacoustic music. Highly active in the pedagogical field, he has been a reference artist for multidisciplinary artistic residencies at the Fondation Royaumont and recently at GRAME, a center for musical creation in Lyon. His piece The Fuck Facebook Face Orchestra won the Giga Hertz Preis 2016 from ZKM (Karlsruhe, Germany), and in 2017, Pocket Enemy was selected by the International Rostrum of Composers. In 2023, he received the Prix pour les Arts Sonores from the Liechti Foundation. In his work, he critically examines the relationship between our society and the digital world, sometimes with a certain political engagement and a touch of humor. However, his musical interests do not end with contemporary experimental creation. He is also passionate about folklore. On the Colombian side, he explores the repertoire of the Caribbean region (cumbia, fandango, porro) with Palenque la Papayera. A lover of traditional music from Southeast Mexico, he is a member of the groups Cocoxoca and Gema y sus Valedores. Daniel Zea was a guest at the Les Amplitudes Festival in La Chaux-de-Fonds in 2024. Learn more about Daniel Zea.

Sarah Branchi Cascone
Pablo Cernik
Tamae Gennai
Stephane Ginsburg
Florence Jaccottet
Helene Nicolet
Stephane Orlando
Pascale Rochat
Daniel Zea
Teachers of minor disciplines
  • Nadège Allaki
    Pédagogie et méthodologie
  • Emilio Artessero Quesada
    Préparation physique et mentale : Sensation, perception, action, Technique et creativité corporelle, Technique et créativité du mouvement
  • Davide Autieri
    Pose de voix
  • Stéphanie Biedermann
    Pédagogie et méthodologie
  • Patrick Bron
    Psychologie
  • Anne-Violette Bruyneel
    Préparation physique et mentale : De l’anatomie fonctionnelle à la pratique en mouvement
  • Anne-Sophie Casagrande
    Chorégraphie - plastique animée , Préparation physique et mentale : Synergies musique mouvement , Pédagogie et méthodologie
  • Pablo Ernesto Cernik
    Harmonie au clavier et écriture Jaques-Dalcroze, Préparation physique et mentale : Approche corporelle de la musique par la rythmique Jaques-Dalcroze, Théorie Jaques-Dalcroze
  • Aurora Creux-Mane
    Pédagogie et méthodologie
  • Emily Curt
    Pédagogie et méthodologie de la musique à l'école
  • Mariona Farrés Llongueras
    Pédagogie et méthodologie
  • Marion Fontana
    Pédagogie et méthodologie de la musique à l'école
  • Florence Jaccottet
    Technique et composition du mouvement
  • Liza Krivine
    Préparation physique et mentale: Accorder son corps
  • Vanessa Lenglart
    Préparation physique et mentale : Méthode Feldenkrais
  • Madeleine Messerli
    Pédagogie et méthodologie de la musique à l'école
  • Valérie Morand Sanchez Reinoso
    Préparation physique et mentale : Corps et mouvement , Technique et creativité corporelle
  • Christine Morard
    Pédagogie et méthodologie
  • Hélène Nicolet
    Théorie Jaques-Dalcroze
  • Stéphane Orlando
    Harmonie au clavier et écriture Jaques-Dalcroze, Atelier d'improvisation
  • Loyse Pouchet
    Pédagogie et méthodologie
  • Anne-Claire Rey-Bellet
    Pédagogie et méthodologie
  • Pascale Rochat-Martinet
    Harmonie au clavier et écriture Jaques-Dalcroze, Préparation physique et mentale : Approche corporelle de la musique par la rythmique Jaques-Dalcroze
  • Maria-Raquel Russo-Laville
    Préparation physique et mentale : L’eutonie - détente et éducation posturale
  • Marie-Claude Schenkel
    Préparation physique et mentale : Éducation thérapeutique des musicien-es-s
  • Sylwia Sobolewska
    Pédagogie et méthodologie
  • Sébastien Weil
    Préparation physique et mentale : Yoga
  • Daniel Zea
    Électroacoustique Jaques-Dalcroze, Eclairage et régie
  • Laurie Zufferey
    Pédagogie et méthodologie de la musique à l'école
Transversal academic functions
  • Noémie Bialobroda
    Professor of Chamber Music with Strings - Coordinator of Chamber Music (GE)
  • Nicolas Bolens
    Head of the Composition and Theory Department - Professor of Counterpoint, 20th-Century Writing, and Practical Writing - Coordinator of General Music Training Modules
  • Guillaume Castella
    Adjoint scientifique
  • Manon Edouard-Douriaud
    Assistante HES
  • Florence Jaccottet
    Head of the Music and Movement Department - Professor of Creative Experimentation Workshop - Jaques-Dalcroze Eurhythmics - Movement Technique and Composition - Coordinator of Physical and Mental Preparation
  • Edmée Pasche
    Coordinatrice de la préparation aux métiers
  • Nancy Rieben
    Coordinatrice de l'enseignement
  • Christophe Sturzenegger
    Professeur d'Harmonie au clavier - Harmonie au clavier et improvisation (pour les pianistes) - Piano comme instrument secondaire - Coordination harmonie au clavier et piano comme instrument secondaire
  • Carine Tripet
    Responsibles of pedagogical programs - Professor of Education Sciences
  • Johann Vacher
    Professeur d'Atelier de recherche Master - Harmonie au clavier - Piano comme instrument secondaire - Journées thématiques (coordinateur) - Coordinateur de la musique contemporaine
  • Gerardo Gustavo Vila
    Professor of Chamber Music – Coordinator of Chamber Music (NE)
Accompanists

Research projects

Testimonials

Quand j'ai découvert le département Musique et mouvement de la HEM, ça a été un vrai coup de foudre !

Laurence Monbaron Etudiante en 3e année du Bachelor of Arts en Musique et mouvement