This research focuses on contemporary forms of cohabitation-as-artist, that is on groups of artists which specificity is to inhabit a place together and thus to share a particular bond to this place — a bond of familiarity, proximity and habituation —, and whether they reinvent the concept of utopia.
Nowadays sharing-living-experiences-as-artists seems taken in a paradoxical movement: on the one hand, according to the institutions and artists who carry such initiatives, those forms of life still evoke the promise of a utopian and emancipatory horizon. One the other hand, they seem doomed in the contemporary art world to a neutralized becoming-installation, to be nothing more than a creative mode amongst others.
Taking artistic residency and its heterotopic dimension as a field of investigation, this research considers whether and in what way those communities of life produce utopian imagination, or in other words forms, gestures, discourses and representations which propose alternatives to the established order.

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