LIVING IN GENEVA IN 2100
© HEAD-Genève, Sylvain Leurent
Good Night Cold Dreams, Emma Canton
© HEAD-Genève, Sylvain Leurent
cOld, Célestine Potin
© HEAD-Genève, Sylvain Leurent
cOld, Célestine Potin
© HEAD-Genève, Sylvain Leurent
Hanging Pipes, David Röder
© HEAD-Genève, Raphaëlle Müller
Hanging Pipes, David Röder
© HEAD-Genève, Raphaëlle Müller
Fresh-Tex, Maxime Joost
© HEAD-Genève, Sylvain Leurent
Fresh-Tex, Maxime Joost
© HEAD-Genève, Sylvain Leurent
Brisa, Hugo Maia Schmitt
© HEAD-Genève, Sylvain Leurent
Marbreeze, Anna Karina Zepeda Aranda
© HEAD-Genève, Raphaëlle Müller
Marbreeze, Anna Karina Zepeda Aranda
© HEAD-Genève, Raphaëlle Müller
Kulir, Navya Balakrishnan
© HEAD-Genève, Raphaëlle Müller
Kulir, Navya Balakrishnan
© HEAD-Genève, Raphaëlle Müller
COOOOOOL, Cloé Eischen
© HEAD-Genève, Raphaëlle Müller
Clima Stripes, Letizia Milone
© HEAD-Genève, Raphaëlle Müller
Clima Stripes, Letizia Milone
© HEAD-Genève, Raphaëlle Müller

LIVING IN GENEVA IN 2100

January 2025

Studio led by Philippe Rahm (Philippe Rahm Architectes)
Assisted by Valentin Calame (studio chaos)

Global warming in Europe, with its effects in terms of heatwaves, droughts, floods, and their damaging consequences for life, is already being felt. It is projected to increase by another 4°C by 2100. The climate in Geneva at that time is not expected to resemble the current climate; instead, Geneva is projected to experience a climate similar to that of Mexico, Japan, North Africa, or Sicily.

The studio LIVING IN GENEVA IN 2100 proposes acquiring practical knowledge of interior design tools to combat global warming by ensuring sustainable thermal living conditions in the face of summer heatwaves and winter cold. If the city is to remain livable, if living things are to survive, and if human beings are to continue living in Geneva in 2100, architecture and the city must already be conceived, adapted, and built with a climate similar to the one currently existing further south. Our project for MAIA, therefore, aims to study interior architecture and decoration suited to warmer Mediterranean, Central American, and Asian climates, and to imagine, propose, and test their immediate acclimatization for Swiss cities and culture, ensuring that life for humans, plants, and animals can still be possible in 2100.

The semester was divided into different phases, alternating between research and design. The program focused on living in Geneva and culminated in the creation of prototype decorative elements.

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