Imaginaries of algorithmic calculation compute the future into the constitution of human reality. Their agents are called, for example, Generative Adversarial Networks (GANs). Their political economy operates the future as an already always past event that treats “history as technology” (Mahan Moalemi), which discriminates the unpredictability of the common as social condition for human life. How could navigational practices by the means of art intervene in the machine-mania running the human’s future out of control? What role does art-research occupy in a critical understanding of the economy of inhuman labor?