Soucoupes Volante / Manufacture Langenthal / Art in non-Art Space
© HEAD – Genève, Benoît Renaudin
Caresses / Quotidien, Baptiste Bonnard
© HEAD – Genève, Michel Giesbrecht
Zàvodu Mirù 891/111, 360/7, Karlovy Vary, Marco Simao - Alexander Fritz - Anaïs Bouvet
© HEAD – Genève, Michel Giesbrecht
Ein Container, Alexandra Barreto
© HEAD – Genève, Michel Giesbrecht
Handmade, Danaé Meynet
© HEAD – Genève, Michel Giesbrecht
Es ist Zeit, Araya De Rossi
© HEAD – Genève, Michel Giesbrecht
Manteau (Mantel), Emilie Triolo
© HEAD – Genève, Michel Giesbrecht
Stock, Pablo Rezzonico
© HEAD – Genève, Michel Giesbrecht
Prospektives Labor, Marjorie Kapelusz - Benoît Renaudin
© HEAD – Genève, Michel Giesbrecht
Ghost in the Machine, Caroline Schattling-Villeval
© HEAD – Genève. Michel Giesbrecht
Tourbillon (Wirbel), Katharina Hohmann
© HEAD – Genève, Michel Giesbrecht
Brakes / Mold Time, Sophie Conus - Henry Drake
© Head - Genève, Michel Giesbrecht
Memory Space, Noémie Gambino
© HEAD – Genève, Michel Giesbrecht
Rideaux (Vorhang), Emilie Triolo
© HEAD – Genève, Michel Giesbrecht
Look through me, Tanguy Benoit
© HEAD – Genève, Michel Giesbrecht
Jour de fête, Alexandre Aynié
© HEAD – Genève, Michel Giesbrecht
Isolateur, Viola Poli
© HEAD – Genève, Michel Giesbrecht
Komm und spiel Kugel! Jonas Meyer - Julie Grange
© HEAD – Genève, Michel Giesbrecht
Voucoupes Solantes, Ludovic Vial
© HEAD – Genève, Michel Giesbrecht
Ellipse (140, 140, 30, 30) Nadia Benhaca - Mohamed Maye
© HEAD – Genève, Michel Giesbrecht
Papa Maman, Vincent Kohler
© HEAD – Genève, Michel Giesbrecht
Shareholder, Magdalena Gerber
© HEAD – Genève, Michel Giesbrecht
Fragile, Victor Delétraz
© HEAD – Genève, Michel Giesbrecht
Un nom s’il vous plaît, Gregory Bourrilly
© HEAD – Genève, Michel Giesbrecht

Soucoupes Volantes - Exhibition in the Porcelain Factory Langenthal/CH

June 2018

The students in fine art, Option Contruction - sculpture, objects, installation in collaboration of the CERCCO , was fascinated by the history and stories surrounding the Langenthal porcelain factory. A group of 23 students participated in a workshop dedicated to this unique industrial heritage in Switzerland.This project is linked to the international research project Topographies of the Obsolete.

The young artists were impressed by the buildings that still house the big oven, a lot of furniture, work equipment, materials, industrial carts, and all the porcelain transfer papers and their different printing technologies that have remained almost intact since the activities stopped. The result is a multitude of artistic proposals of very different natures, largely made with elements from the factory, which question and reinterpret this heritage in a contemporary way.

 

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