Celebrating USM with Teo Jakob, Wave, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
éléments USM
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
éléments USM
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
jury
© Nicolas Schopfer
Roller coaster, projet de Valentine Maeder et Bertrand Van Dorp
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
jury
© Nicolas Schopfer
jury
© Nicolas Schopfer
jury
© Nicolas Schopfer
Open space 2050 projet de Maxime Cerutti et Randy Amigo
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
Usm Lamp, projet de Mélanie Maulaz et Amélie Ramseyer
© Nicolas Schopfer
Cloison Séparatrice, Projet de Inès-Charlotte Brodard
© Nicolas Schopfer
Usm details, projet de Inès-Charlotte Brodard et Mélanie Maulaz
© Nicolas Schopfer
work in progress
© Nicolas Schopfer
Matrice, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
Matrice, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
Matrice, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
Matrice, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
Wave, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
Wave, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer
Wave, projet de Armend Krasniqi et Cohan Rémy
© Nicolas Schopfer

celebrating USM with Teo Jakob

February 2015

Workshop led by Albert Schrurs, professor at and Michèle Rossier director regional of Téo Jakob

 

2015 coincides with the 50th anniversary of USM. The company Teo Jakob suggested a workshop at HEAD focused on the timeless appearance of the developed modular system from 1965. The students led by Albert Schrurs have studied the concept of celebration: Celebrating USM with teo jakob. The modularity and the product geometrical aspect allows a wide range of opportunities in artistic structures and open the door on monumental works.

Tubes, balls, sheets; as many standardized material that allowed USM to develop for 50 years timeless furniture, evolving over time and modulable. How to detach from this and aim to create exhibition pieces using these materials that make up the USM series and therefore retaining their image? The transformation function is another way of perceiving modularity. The USM furniture is so far mainly a storage cabinet and desk. Imagine how strong and unique pieces to mark 50 years of USM? Can we see the USM and its components as a source of material? Can you break it down, dial the other way? These were some of the questions that motived students during the workshop.

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