HEAD – Genève is pleased to announce Mai-Thu Perret’s participation in the Talking Heads lecture series. Based in Geneva, the artist is a leading figure on the Swiss scene. Her work, which is widely exhibited in Switzerland, has also been displayed at prestigious institutions in various European countries and the United States. As part of her multi-faceted, demanding and refined work, full of historical references and open to many different fields, she is sometimes a curator or editor. She has been a teacher at HEAD Geneva’s Visual Arts faculty since 2009. Together with Samuel Gross, art historian and director of the Speerstra Foundation, she discusses the key issues in her work and the most striking moments in her outstanding career.
Born in Geneva in 1976 and having graduated in English literature from Cambridge University, she worked as an assistant to various New York artists such as John Tremblay and Steven Parrino, with whom she would later work closely. In 1999 she returned to Geneva to spend two years programming the Forde contemporary art space at the Usine autonomous cultural centre, and began to exhibit her work in Switzerland and elsewhere. These initial exhibitions (CAN in Neuchâtel, 2001, Air de Paris in Paris, 2002) laid the foundations for a project entitled The Crystal Frontier, based on the life of a feminist utopian community in the New Mexico desert. The artist produced the writings and created the traces of this imaginary community as a collective, polyphonic portrait through installations, everyday objects or extracts from personal diaries.
+In 2002 she returned to New York to follow the Whitney Museum’s Independent Study Program, in which artists, theorists and historians studied together with such teachers as Yvonne Rainer, Benjamin Buchloh and Vito Acconci. She continued to exhibit regularly in Europe and the USA.
In 2004 she was invited to take part in Statements, the young artists’ section of the prestigious ArtBasel fair. In 2005 the Centre d’Art Contemporain Genève (Geneva Contemporary Art Centre) gave her an exhibition together with Valentin Carron, and in 2006 she exhibited at Chicago’s Renaissance Society, one of the USA’s leading art centres. A series of solo exhibitions at various museums and institutions followed: the Bonnefantenmuseum in Maastricht in 2007, SFMOMA in San Francisco, the Kunsthalle in St Gallen and the Kitchen in New York in 2008, and the Aspen Art Museum in 2009.
In 2004 and 2006 she received Switzerland’s Federal Fine Arts Award, and in 2006 the Kiefer Hablitzel Prize. In 2011 she was awarded the Manor Prize and the Zurich Art Prize, and had exhibitions at Mamco in Geneva and the Museum Haus Konstruktiv in Zurich. Her most recent solo exhibitions were at the University Museum of Art in Ann Arbor (late 2010) and the Kunsthaus Aarau and the Magasin in Grenoble (2011). In June 2011 she took part in IIllumiNations, an international exhibition at the Venice Biennale.
Besides working as an artist, Mai-Thu Perret organizes occasional exhibitions or editorial projects. In 2009 she was co-curator of Vides: une rétrospective (‘Voids: a retrospective’) at the Pompidou Centre in Paris and the Kunsthalle in Berne, on empty exhibitions from Yves Klein to the present day. Since 2009 she has taught at HEAD Geneva’s Work.Master master’s degree programme on visual arts.
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