Teaching methods
Theory course, practical workshops in writing, sound recording and mixing in a recording studio. Personal work to be done between sessions (writing and recording).

Day 1
Introduction to podcasts, history and listening
Presentation of projects
Individual feedback on projects
Technical basics of sound recording (exercises, getting to grips with equipment, etc.)

Day 2
Collective listening to recorded rushes
Individual feedback on projects
Individual work (writing and voice recording)
Studio sound recording techniques

Day 3
Collective listening to newly recorded rushes
Individual feedback on projects
Introduction to Reaper software
Individual work (writing and voice or sound recording)

Day 4
Individual feedback on projects (writing, sound design, voice, etc.)
Voice, rhythm, diction, intro and outro music, soundscape
Writing and advanced sound recording techniques
Introduction to Reaper software
Individual work (writing and recording voice, sounds, music)

Day 5
Finalization of sound editing
Sound mixing

Day 6
Broadcasting advice
Listening session with invited guests

Delphine Jeanneret is a film curator, lecturer at Film Department at HEAD – Genève. She holds an MA in Art History and English and American Literature, as well as a DAS in Cultural Management. For more than 15 years, she has been programming films in festivals, art venues and film institutions. She is also strongly involved in programmes that aim to reveal young filmmakers with new aesthetics and has participated in numerous juries and round table discussions at  international festivals such as Cannes, IFF Rotterdam, IndieLisboa, Dokufest, Festival Nouveau Cinéma in Montreal, the Austrian Film Museum, the Warsaw Int. Film Festival, etc. 

Vuk Vukmanovic studied classical guitar before obtaining his BA in Film Direction at HEAD – Genève and his MA in Sound Studies. After several years spent mainly in production sound, he now works almost exclusively in post-production as a re-recording mixer/sound designer at Studios Masé. He is also a lecturer and coordinator of the new sound option of the BA programme in Film Studies at HEAD – Genève. In addition to his work in film and television, he has created several sound art pieces in collaboration with Swiss public broadcasting and various cultural events in Geneva. He works on projects that explore the barriers between sound and music, a subject with infinite possibilities that inspires him daily. 

Clara Alloing is a sound artist and operator. Her practice lies at the crossroads between cinema, radio creation and electroacoustic music. Since 2015, she has been developing creations that give voice to intimate narratives and that seek to represent the space of the world that these voices inhabit. Besides her personal work, she collaborates as a sound recordist and sound editor with artists such as Marie Losier, Sayaka Mizuno or Maëlle Gross. She is also one of the organisers of the first radio art festival in Geneva, Les yeux grands fermés, which takes place at Théâtre Saint-Gervais.