• publications
    • authors
    • contribute
    • about
    • Issue to pdf
  • Issue publishes the critical, practical, and theoretical thinking carried out at the HEAD – Genève.
    • français
      • instagram
      • newsletter
publications
  • publications
  • authors
  • contribute
  • about
  • Issue to pdf
    • instagram
    • newsletter
  • français

Dossier #30

Arts of Commoning

[In this dossier are the first three interviews conducted in the context of the Arts of Commoning research project at HEAD – Genève. More will follow.]

Today, as contemporary globalized society continues to heat the planet and as the post-1945 international order continues to be subverted and unravelled, nations are doubling down on fossil energy and further slashing social solidarity programs in order to rearm and prepare for war. Meanwhile access to critical minerals is motivating mafioso moves and territorial expansionist rhetoric from the former global hegemon. While the morbid symptoms of these processes are watched with stunned fascination, the social forces and tendencies that cause them are getting far less attention. Capitalist modernity, accelerated by disruptive technologies and algorithmic finance, has an unsolved energy problem. Growth and techno-acceleration are unsustainable except, it seems evident, as war and ruination. Even as AI proliferates, soon to be joined by remote gene editing, the progress stories of modernity are severely in doubt. Today the future is perhaps more uncertain than at any other time in modern history.

As current socio-ecological crises deepen, the commons and commoning have emerged as a key locus of theoretical reflection and practical invention from below. Research into the commons and into the possible intersections of artistic and commoning practices is highly relevant at this time. Arts of Commoning is a research project hosted at Geneva University of Art and Design (HEAD – Genève), in partnership with University of the Arts, London. Beginning with a series of interviews with theorists and practitioners of commoning, the project will culminate in an exhibition of new commissioned artworks exploring the actualities, imaginaries and potentialities of commons and commoning in the new era of polycrisis and naked climate imperialism. The contribution of this project is to focus artistic research on commons forms and practices within a precisely articulated contextual, historical and planetary framework.

by
  • David Cross
  • Alex Gence
  • Gene Ray
read morereduce
  • departmentarts visuels
  • subjectactivismeartcapitalismecollectifécologiepolitiquesointhéorie critique
  • published on february 23, 2026
  • permalink https://www.hesge.ch/head/issue/en/issues/30-arts-commoning-david-cross-alex-gence-gene-ray
  • licence CC BY-SA 4.0
informationsback to publication
  • Arts of Commoning

    by
    • David Cross
    • Alex Gence
    • Gene Ray

    In this publication, the authors introduce us to the issues at stake in their research-guided art project Arts of Commoning, from which this dossier originates.

  • “Immense Capacities for Creative, Revolutionary Practice”

    by
    • Peter Linebaugh
    • Gene Ray

    This dialogue with one of the preeminent historians of the Atlantic commons, ranges across the rich history of mutualist invention and solidarity, from the aesthetics of commoning to the resistance to industrial “counter-revolution,” from the Jacquard loom targeted by Ned Ludd to contemporary data centers and AI, from The Book of Ruth to the Forest Charter, and from the Many-Headed Hydra to the jubilee. Linebaugh reminds us that commoning was born and lives on in class struggle, “within as well as beyond capitalist institutions.”

  • “Commoning is the Art of Enactment”

    by
    • Massimo De Angelis
    • Gene Ray

    In this wide-ranging conversation, Massimo De Angelis reflects on the commons as both a living tissue of everyday cooperation and a systemic force capable of reorganizing social reproduction beyond capitalism. Drawing from his forthcoming book The Pyramid and the Common, he traces how commoning unfolds as praxis—an art of enactment entangled with capital yet oriented toward autonomy, care, and habitability. The discussion moves through key fault lines of our time: the ambivalent role of the state in eco-socialist transitions; the confrontation between effectiveness and efficiency in technological development; the aesthetics and sensuous allure of commoning as music, dance, and art; the imagination of more-than-human commons; and the emergence of “commoners’ sense” in an age of planetary crisis and war. What emerges is a vision of commoning as both resistance and composition—a practice that dissolves the old while rehearsing, rhythm by rhythm, the forms of a livable world.

  • An Alter-Politics of Love

    by
    • Alexandros Kioupkiolis
    • Gene Ray

    In this deep-reaching dialogue, Alexandros Kioupkiolis sets out the logic of a counter-hegemonic strategy for advancing a commons-based eco-socialist politics, assesses the legacies of horizontally organized social movements, offers critical evaluations of artificial intelligence and digital technologies, and affirms the political importance of love in a planetary conjuncture of deep social and ecological polycrisis.