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Gene Ray

Gene Ray is Associate Professor in the CCC Research-based Master Program at HEAD – Genève/Geneva School of Art and Design (HES-SO). Ray is author of Terror and the Sublime in Art and Critical Theory (2005, 2010), co-editor of Art and Contemporary Critical Practice (2009) and Critique of Creativity (2011), and author of essays for journals including South as a State of Mind, Third Text, Brumaria, Nordic Journal of Aesthetics, Left Curve, Historical Materialism, and Yale Journal of Criticism. From 2016-2018, he was project director of The Anthropocene Atlas of Geneva.
  • To Redeem Hope

    Interview with Stavros Stavrides

    by
    • Gene Ray
    • Stavros Stavrides

    This wide-ranging interview with architect and activist Stavros Stavrides opens up the spatial and urban dimensions of commoning, while recognizing some of the most influential contemporary rural commons. From Athens to Gaza, and from Chiapas to Rojava…

  • “The Thick Intelligence of the Commons”

    Interview with Massimiliano Mollona

    by
    • Massimiliano Mollona
    • Gene Ray

    This lively and provocative discussion with anthropologist, curator and filmmaker Massimiliano Mollona considers commons as “a thick texture of life, where aesthetics and political economy cannot be separated from the consciousness of living in a non-…

  • “Understanding the territory and the needs of the community”

    Interview with Silvia Federici

    by
    • Silvia Federici
    • Gene Ray

    In this engaging conversation, teacher, feminist activist and eminent theorist and historian of the commons Silvia Federici sets out her views on commoning and feminism, capitalist enclosure, enchantment and the Internet, the Zapatistas and eco-…

  • Dossier #30

    Arts of Commoning

    2 publications

    [In this dossier are the first three interviews conducted in the context of the Arts of Commoning research project at HEAD – Genève. More will follow.]

    Today, as contemporary globalized society continues to heat the planet and as the…

  • Arts of Commoning

    Introduction

    by
    • David Cross
    • Alex Gence
    • Gene Ray

    In this publication, the authors introduce us to the issues at stake in their research-guided art project Arts of Commoning, from which this dossier originates.

  • “Immense Capacities for Creative, Revolutionary Practice”

    Interview with Peter Linebaugh   

    by
    • Peter Linebaugh
    • Gene Ray

    This dialogue with one of the preeminent historians of the Atlantic commons, ranges across the rich history of mutualist invention and solidarity, from the aesthetics of commoning to the resistance to industrial “counter-revolution,” from the Jacquard…

  • “Commoning is the Art of Enactment”

    Interview with Massimo De Angelis

    by
    • Massimo De Angelis
    • Gene Ray

    In this wide-ranging conversation, Massimo De Angelis reflects on the commons as both a living tissue of everyday cooperation and a systemic force capable of reorganizing social reproduction beyond capitalism. Drawing from his forthcoming book The…

  • An Alter-Politics of Love

    Interview with Alexandros Kioupkiolis 

    by
    • Alexandros Kioupkiolis
    • Gene Ray

    In this deep-reaching dialogue, Alexandros Kioupkiolis sets out the logic of a counter-hegemonic strategy for advancing a commons-based eco-socialist politics, assesses the legacies of horizontally organized social movements, offers critical…

  • Rural Riots, Animist Rituals and Teaching from the Territory

    A Conversation with the Laboratory of Insurrectionary Imagination

    by
    • Isabelle Frémeaux
    • Jay Jordan
    • Gene Ray

    A teacher in the CCC Master's Research Programme and a researcher at HEAD – Genève, Gene Ray is interested in radical practices of art and activism in a time of multiple social and ecological crises. He spoke with the artist, researcher and activist…

  • Ode to an Empty Plinth

    Iconoclasm by Other Means

    by
    • Gene Ray

    In a 1997 issue of October journal devoted to the Situationists, T.J. Clark and Donald Nicholson-Smith rejected the narrative that, in the early 1960s, the SI renounced art in favour of politics. In reality, the organisation only renounced…

  • All Monuments Must Fall

    Thinking Through the Proposition

    by
    • Gene Ray

    In this introduction, Gene Ray (HEAD – Genève, HES-SO) reviews a series of recent events, mostly related to the Black Lives Matter movement, which may suggest that a new iconoclasm has begun. Ray associates this aggressive way of questioning the…

  • Dossier #8

    All Monuments Must Fall: Episodes and Counterimages from a Present History of Iconoclasm

    4 publications

    “All Monuments Must Fall.” Four words, calling out and calling up. An indictment of police terror, a demand for an end to impunity. A toppling of white supremacist, settler colonial patriarchs: Robert E. Lee and Christopher Columbus, Cecil Rhodes and…

  • Justice Afoot

    Communing with the Friends of Acoma

    by
    • Gene Ray

    One night in 1998, a collective amputated the foot of an equestrian statue of Juan de Oñate in New Mexico. In this article, Gene Ray examines the multiple echoes of this iconoclastic act, a reference to the mutilation of indigenous Acoma people 400…

  • Diasporas of the So-Called Anthropocene

    Notes in the Margins of "The Anthropocene Atlas of Geneva" - An essay by Gene Ray (HES-SO)

    by
    • Gene Ray

    Gene Ray (HEAD – Genève, HES-SO) calls for a post-modernism that would fully overcome capitalist modernity and its catastrophes. From a reading of Walter Benjamin’s Thesis on the Philosophy of History and Trauerspiel, Ray invokes…