Claire Atherton in conversation with Bertrand Bacqué How did Chantal Akerman go from the feature film D'Est to her first installation D'Est: au bord de la fiction? What new relationship between images and sounds does this create? Claire Atherton answers these questions, with supporting examples.
The tableau shot in Roy Anderson Lecture: Olivier Zuchuat Roy Anderson's films are built around a series of "tableau shots" filmed in the studio. What place does montage have within these long shots? Do they include intra-montage processes?
Politics and aesthetics of film montage. From cinema to installation Round table with Doreen Mende, Olivier Zuchuat and Claire Atherton Moderated by Bertrand Bacqué