Paul Goussot

paul.goussot 9848834544 Goussot Paul paul.goussot@hesge.ch fr 1 Off On
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With the air's stylistic links to the trag\u00e9die lyrique firmly established, the researcher aims to demonstrate the accent's ubiquitous application in a wide range of vocal genres, adding knowledge to the sparse discourse on historical singing between the time of Lully and Rameau. "}},"id":131361,"acronym":"ACCENTS 1","mainTitle":"Accents oubli\u00e9s: new insights into expressive singing in the period 1650 to 1750 ","mainDescription":"Ornamentation treatises from seventeenth- and eighteenth-century France attest to the accent as an essential part of the singer's expressive tool-kit. While these give guidance as to the usage of this agr\u00e9ment, printed, engraved, and manuscript sources are either devoid of ornamentation markings, or indicate a diverging usage, creating a second or parallel set of 'instructions'. 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With the air's stylistic links to the trag\u00e9die lyrique firmly established, the researcher aims to demonstrate the accent's ubiquitous application in a wide range of vocal genres, adding knowledge to the sparse discourse on historical singing between the time of Lully and Rameau. 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