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Olivier Zuchuat

Olivier Zuchuat is an HES professor associated with the cinema department of HEAD - Geneva (HES-SO). Director and editor, he notably directed the cinematographic essays Djourou (2004), Au Loin des villages (2008), Comme des lions de pierre à l'entrée de la nuit (2013) and Le périmètre de Kamsé (2020), all distributed in Europe. He co-edited the books Montage - Une anthologie (1913-2018) (Presses du Réel, MAMCO-HEAD) and Lav Diaz : faire face (Post éditions, 2022).  
  • Dyslinear mise-en-fiction of surveillance images in Dragonfly Eyes by Xu Bing

    by
    • Olivier Zuchuat

    The film Dragonfly Eyes (Xu Bing, 2018) constructs a linear fictional narrative – a classic love story between two young workers – led by the soundtrack, which unfolds alongside images from multiple surveillance cameras installed in China. The…

  • Dossier #21

    Contemporary Mini-Series or the Powers of the In-Between

    8 publications

    The production of mini-series continues to grow, initiated by both television channels and streaming platforms, and increasingly supported by actresses and actors from the film industry. Miniseries such as …

  • "Small Axe" by Steve McQueen : towards a limited seriality

    by
    • Olivier Zuchuat

    In 2020, British filmmaker Steve McQueen brought together under the name Small Axe a collection of five autonomous films that have as common elements a place (London, Brixton district), a community under construction (from Jamaican immigration),…

  • Politics and Aesthetics of Film Montage

    From Cinema to Installation

    by
    • Claire Atherton
    • Bertrand Bacqué
    • Doreen Mende
    • Olivier Zuchuat

    Against a deluge of images, certain forms of montage, compilation and spatialization allow for a critical engagement with images. Doreen Mende looks back at the approaches of Soviet women editors and the artist Harun Farocki, who distinguished…