J. G. Biberkopf (Gediminas Žygus) works within the paradoxical relationship between club music and art music. Assembling a collage spanning a vast range of influences from dark ecology, sound studies, architecture, media theory, existentialist movements, post-dramatic theatre to grime and musique concrete. His live performance reflects the urge to make music sound as a “self-sufficient” ecology that cannot be traced back to him as a creator, but that rather seems to originate from an actual landscape. In this vein, he works intensively with aural signifiers, taking sounds that are eminent in public sphere, and noises that work as signs or memes, to explore the semiotics of sound.