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Delphine Jeanneret

Delphine Jeanneret studied Art History and English & American Literature (Master’s) at the Lausanne University. From 2008 to 2017 she was part of the film selection committee at the Neuchâtel International Fantastic Film Festival (NIFFF) and coordinated the “Imaging the Future” interdisciplinary program, bringing together cinema, the visual arts and technologies. In 2011 Jeanneret was appointed deputy art director at the Fribourg International Film Festival (FIFF). Then, in 2014, she was hired as film curator at the Internationale Kurzfilmtage Winterthur. She has conducted several curatorial research projects there, notably on post-Internet cinema (in collaboration with the Fotomuseum Winterthur), the work of the Portuguese artist Salomé Lamas, and contemporary cinema in South and South-East Asia, Georgia, Iraq and Iran. From 2015 to 2017, she managed the “Upcoming Lab” at the Solothurn Swiss Film festival, a program for young Swiss moviemakers working on a first film project after their studies. In 2015, she specialised in cultural politics and obtained a “DAS in cultural management” from the Lausanne University, the Geneva University and Artos. She then co-founded the Festival Cinéma Jeune Public in Lausanne, which presents independent and experimental films to a young audience, along with a cinema mediation program. Since 2016, Jeanneret has been part of the selection committee at the Open Doors section of the Locarno Film Festival.

  • Dossier #14

    Whose Voice? Cinema, Representation and Representativeness

    1 publication

    With the shocks from the #metoo movement continuing to reverberate through the world of cinema and beyond, Black Lives Matter protests mobilising an entire generation and more and more social media accounts detailing abuses during filming under the…

  • The Manipulative Magic of Editing

    An Interview with Ael Dallier Vega 

    by
    • Ael Dallier Vega
    • Delphine Jeanneret

    A crucial stage in the construction of a film – where rhythm, grammar and dramaturgy are redefined – editing remains a shadowy profession. Ael Dallier Vega is an editor and lecturer in the HEAD – Genève’s Cinema Department. In this interview with…

  • Juxtapositions and Hyperlinks

    Montage from Comics to Digital Cultures

    by
    • Bertrand Bacqué
    • Chloé Galibert-Laîné
    • Delphine Jeanneret
    • Selim Krichane
    • Nicolas Nova
    • Frederik Peeters

    This series of lectures approaches the notion of montage in arts and activities close to cinema such as new media, video games and comics. Freeing himself from cinemacentrism, Frederik Peeters defends the position that montage in comics takes place in…

  • Filming the Intimate and the Political

    An Interview with Petra Costa

    by
    • Petra Costa
    • Delphine Jeanneret

    The deputy dean of the Cinema Department Delphine Jeanneret conducted an interview with the Brazilian filmmaker Petra Costa, invited at Visions du Réel Festival taking place online from April 17th – May 2nd,…