Since the early 1990s, Liam Gillick’s multiple and complex work has led him to explore a broad spectrum of media ranging from sculpture to writing, from architecture to graphic design and from cinema to music, as well as various critical and curatorial projects, making him an indefinable artist whose work is constantly and elusively changing.
Graduating from Goldsmiths’ College in 1987, he belonged, along with Damien Hirst, Sarah Lucas, Angela Bulloch and Henry Bond, to the first generation of Young British Artists (YBAs) who left such a mark on 1990s British art. In 1996 his work was included in the Traffic exhibition held by Nicolas Bourriaud at Bordeaux’s CAPC museum of contemporary art, which introduced the now popular term ‘relational aesthetics’ into the field of art criticism. Since then, Gillick has had many exhibitions at institutions and galleries in Europe and the United States, some of them in partnership with other artists, architects, designers or writers. In 2006 he was nominated for Britain’s Turner Prize.
+Since 1997 he has been a member of the scientific committees of the Center for Curatorial Studies at New York’s Bard College and Columbia University School of the Arts. Articles of his have regularly been published in the journals Frieze and Artforum.
Ranging from abstract sculptural forms to the use of both written and spoken language, Falke Pisano’s subtle, evocative work is tied to a continuous and evolving production of meaning. Her works, whether objects, installations, videos, publications or performances, are based on historical and theoretical research, resulting in projects that she terms ‘diagrammatic’.
The publication Figures of Speech, co-edited and laid out by the British graphic artist Will Holder (JRP-Ringier, Christoph Keller Editions, 2010) and devoted to Pisano’s work, also emphasizes the importance of speech and discourse in her oeuvre and her relationship with various forms of artistic arrangement and production. Since 2001, Falke Pisano’s series of events and performances The Body in Crisis has explored today’s disrupted relationship with the body in crisis.
Pisano’s work has been displayed in solo exhibitions at venues including Ellen de Bruijne Projects in Amsterdam (2007 and 2011), Hollybush Gardens in London (2009 and 2012), the CAC in Vilnius (with Benoît Maire, 2011), the Transmission Gallery in Glasgow (2010), Extra City in Antwerp (2010) and the Kunstverein in Graz (2009). She has taken part in the Venice Biennale (2009) and Manifesta (2008) and has given performances at Madrid’s Museo Reina Sofía (2012), at the 5th Berlin Biennale (2008) and at London’s Lisson Gallery (2007).
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